May 15, 2012 | Post by: Chris 1 Comments

Compositional Inspiration from Photographer Patrick Smith

Bonsai Blue Hour

I was at the Chicago Botanic Garden a couple of weeks ago testing out my new Tamron 28-300mm lens. I have not decided yet if the lens is a keeper, but it sure is nice to have such a huge range on one lens. I had a heck of a time coming up with a composition for this image. I kept moving left and right, further and closer, and raising and lowering my tripod. I've noticed that I am taking much more time with my compositions lately. I think that the bonsai gardens have a lot of potential for some blue hour shots. If you're at the garden and running out of light, head to the Regenstein Building and look for the bonsai courtyards.


Compositional Inspiration from Photographer Patrick Smith

Patrick Smith (no relation) is one of my favorite photographers. I first heard about him on The Candid Frame Podcast as a recommendation from a guest. He lives in California and captures stunning seascapes.  But one of my favorite images of his is Myst - Point Reyes National Seashore, California. I love the shot for the ethereal fantasy feel and also for the explanation of how he made the shot that he gives on the Flickr page. I learned more from reading the notes on this photo that I have from some photography books. Click on the image below to go to the photo's Flickr page.  If you hover over the image in Flickr, you will see Patrick's notes about what he was trying to accomplish with this composition. Many times when I am composing an image, I think about this shot.  I try moving forward and backward, left and right, and I raise and lower my tripod, until I've got it right.

Myst - Point Reyes National Seashore, California

Myst - Point Reyes National Seashore, California by Patrick Smith (used with permission from the photographer)

Visit Patrick Smith's Google+ page and his website, PatrickSmithPhotography.com for more inspirational images and tips.

 

 


Read More
May 11, 2012 | Post by: Chris 2 Comments

The Best Photography Podcasts

Chicago Police Department Memorial at Buckingham Fountain 

Chicago Police Department Memorial at Buckingham Fountain

Here is a slightly different view of Buckingham Fountain from our walk the other night. I moved closer and wanted to compose the shot to include the numbers of the Chicago police officers that were recently lost. If you are downtown and have run out of twilight, one of the better places to go for night shots in the summer is Buckingham Fountain. When the fountain is running, they play a musical light show every hour.

 

Photo Contest

If you would like to submit one of your photos for the contest from last week's photo walk, you have until midnight tonight (5/11/2012) to email it to me.


The Best Photography Podcasts

What do you listen to in the car on your way to and from work? My favorite thing to do is to catch up on the latest photography podcasts. I have learned as much about photography from listening to these podcasts as any other source. I have listened to pretty much every one that is out there and I've narrowed it down to some of my favorites here. If I missed your favorite, tell me about it in the comments. A lot of you have emailed me about the site, but I'd love to see more people leave comments for everyone to read.

 

The Digital Photo ExperienceJuan Pons and Rick Sammon

These guys are two of the friendliest, most helpful guys in the photo community. They do great interviews with other photographers and they always do a great job answering listener questions. They make a new podcast twice a month on the 1st and 15th of each month and it's always the first one that I look for.

 

The Digital StoryDerrick story

Derrick is about as down to Earth as you can get. As I wrote in the review on iTunes, listening to the Digital Story is like having an uncle that is a professional photographer that gets together with you to pass on his knowledge. Each time you listen, he has a new toy to talk about and some new stories from his shooting adventures. Derrick is up to date on all of the latest gear and software and he's never afraid to share his opinion on them.


This Week in Photo: Frederick Van Johnson

TWIP may be the best podcast for keeping up with news in the photo industry. You may find yourself fast forwarding the 30 minutes that they talk about another photographer being harassed for taking photos in a public place, but there is always some good debate regarding the latest issues for professional and amateur photographers. Steve Simon, author of The Passionate Photographer, is a frequent guest to the podcast, which alone is reason to listen.


Lens WorkBrooks Jenson

Although each episode is sometimes only two to three minutes long, Lens Work may be my favorite photography podcast.  Brooks Jenson is the editor of Lens Work Magazine and he shares his thoughts about the creative process. I love camera gear, but sometimes the other podcasts get stuck on concentrating only on gear. Lens Work focuses solely on the creative process and even when the topic is something foreign to my type of shooting, I can always find a way to relate it to what I'm doing. Sometimes two to three minutes of the Lens Work podcast can change everything about the way you view photography.

 

The Candid Frame: Ibarionex Perello

Ibarionex interviews the best photographers on the planet.  And he gets them to reveal a part of them that no one else does. His interview style allows people to open up to talk about their photography on a deeper level.  Even if you've seen some of these photographers interviewed on other shows, you will get a completely different experience on the Candid Frame. The archive of interviews is impressive. Make sure to not miss the interviews with RC Concepcion, William Albert Allard, Joe McNally and Jay Maisel. These interviews will absolutely change the way that you think about photography.

 

The GridScott Kelby and Matt Kloskowski

Scott and Matt are known for their Photoshop expertise, but they've put together a great show for photographers with some of the best pros as guests. Keep up with the latest trends in the industry and learn how professional photographers go about their job.


Other photography podcasts for your consideration

Photofocus with Scott Bourne and now Richard Harrington

TWiT Photo with Leo Laporte and Catherine Hall

Trey's Variety Hour with Trey Ratcliff and friends

Martin Bailey Podcast with Martin Bailey

ProPhotoShow Podcast with Gavin Seim and friends 

 

 



Read More
May 07, 2012 | Post by: Chris No Comments

Photo Contest for the Out of Chicago Photo Walk #3

Buckingham Fountain and CPD Skyline Buckingham Fountain and CPD Skyline  This is from our photo walk Saturday.  We arrived at Buckingham fountain just in time to hear the finale of the Stars and Stripes Forever. So we missed the fountain light show, but the Chicago sky put on a show of its own. The city honored its recently fallen police officers, Officer Paul W. Nauden, Star #10803 and Officer Clifton Lewis, Star #4103 with the letters CPD on major buildings and their star numbers on the Blue Cross Blue Shield Tower.   Photo Walk Photo Contest We're going to do this contest a little differently. I want to put the images into a post about our photo walk, so I'd like you to email them to me at chris@cjsmithphotography.com.  Please send me your one best image. I will add it to a gallery for our judges and then put them onto the site. To qualify for the contest, I need to receive your image by this Friday at midnight. The winner of the contest will receive the Topaz Labs bundle.  Two runners up will each receive an individual piece of Topaz software of their choice. Thank you to Topaz Labs for their sponsorship of the contest.  

Read More
May 06, 2012 | Post by: Chris 1 Comments

Supermoon Over the Shedd

Supermoon Over the Shedd

Thanks to everyone that came out and braved the wind and cold to see the supermoon stay behind the clouds last night.  We did see it peek out about 45 minutes after it rose and it was perfectly clear when we walked back to our cars. But by that time, it was too high in the sky for the composition I wanted. But like I heard someone say recently, "One person's dead space is another man's treasure." Hmm…  I don't know about that.

For this shot, I took one image exposed for the moon and a set of HDR images for the Shedd.  I layered the HDR image our of Photomatix with the layer exposed for the moon and combined them in photoshop.

Photo Walk Photo Contest

I will post the instructions for the photo walk photo competition on the site Monday.  I hope that you were able to get some good photos despite the weather.



Read More
May 05, 2012 | Post by: Chris No Comments

Photographing the Supermoon by Jason Mrachina

Super Moon Over Chicago Harbor Lighthouse

Super Moon Over Chicago Harbor Lighthouse

This is from the supermoon of 2011. Last year I did not have a plan. I only knew that I wanted to get something in the foreground for the shot.  We started downtown and started walking toward Navy Pier. I hoped that I could find a composition with the Ferris Wheel or something on the pier.  Nothing would work.  We had 5 minutes until the moon rise and we were almost to the end of the pier.  And we didn't know exactly where the moon would rise.  But when we ran out of land at the end of the pier, the moon began to rise just to the left of the Chicago Harbor Lighthouse. Sometimes you have great plans. Sometimes you just get lucky.

Out of Chicago Photo Walk #3

The photo walk is on! The forecast calls for a 10% chance of rain. I hope to see you in front of Adler Planetarium tonight at 6PM. More details here. I will post details tomorrow about posting your images for the photo contest for a chance at the Topaz Labs software bundle.

I love the Photographer's Ephemeris App on my iPad. This is where I hope to be at 7:43 tonight.

I have been debating all week what I should write about for our Supermoon photo walk tonight.  Will there be any clear sky? I should write about how to shoot the moon. Is it going to rain? Well, I already talked a little about shooting after the rain here. There will, almost certainly, be clouds to work with. So you might want to read my post, Working With Clouds

And then my buddy and fantastic photographer, Jason Mrachina, emailed me this. Jason is famous (infamous?) for his emails that could be sold as eBooks. This is an email that he sent to another photographer and then offered to me for this article.

 

 

Shooting the Moon by Jason Mrachina

Shooting the moon is easier than you think.  One thing everyone (including me) gets wrong when they start is shooting it like it’s a “night shot”.  Most people aim their camera at the moon on auto settings and are surprised when the camera renders it as a giant white orb with no detail. One interesting thing about the moon is that the dust/rocks are somewhat reflective (like a stop sign). So at full moon it looks REALLY bright to the camera.

 

The moon is reflecting sunlight at the camera in the middle of a really dark sky.  When this happens, it’s easy to over expose the shot.  So what you actually need to do is set the camera up for a typical “daytime” shot and just know that the background is going to be really dark (it’s the night sky, so who cares).

 

Shooting the night sky, particularly the moon, is the ONE and only time that your settings will always be the same on your camera (no matter where in the world you are).  The sky is always black, and the moon always reflects the same amount of sunlight.  There is a chart of these settings below.  Simply set your camera to Manual, spot metering and the ISO that you wish.  Follow the lines and columns until you get the settings that you want.   I usually use ISO 400 and 1/250th.  Your Aperture will be between f11 and f16 depending on how bright you want it.

 

Some other tips:

 

1)   The moon is moving – very quickly.  It will only take 4 or 5 minutes for the moon to move out of your frame when zoomed in.  Be sure to keep an eye on your composition.

2)   Use spot metering on your camera to make sure you get an accurate reading for your light meter.

3)   Plan on shooting in Auto-bracketing if you know how to do this. 

4)     If you are shooting on a tripod, turn your IS off.

5)     If you are shooting on a tripod, focus this manually by using live view with 10x view and manual focus.  I feel this has better results than AF and/or using the infinity setting on the zoom ring

6)     Use a cable release for your shutter.

7)     Don’t let your shutter speed go too slow or you will be getting light trails. 

 

If you want to shoot something in the foreground, you will be doing this in multiple images.  It’s impossible to get a good exposure of a foreground object like a city, building, car or your house and still have the moon look good / right.  Just shoot the moon first until you are happy and then shoot the rest of your image separately. 


This page talks about how the brightness of the moon changes: http://www.asterism.org/tutorials/tut26-1.htm

This page has a good chart of exposures for all the moon phases: http://home.hiwaay.net/~krcool/Astro...hoto/index.htm

 

Lunar Photography Exposure Guide (@f/16)

ISO Film Speed

Full Moon

Gibbous

1st Quarter

Thick Crescent

Thin Crescent

Earthshine

25

1/15

1/8

1/4

1/2

1

 

50

1/30

1/15

1/18

1/4

1/2

 

100

1/60

1/30

1/15

1/8

1/4

 

200

1/125

1/60

1/30

1/15

1/8

40 to 80 sec.

400

1/250

1/125

1/60

1/30

1/15

20 to 40 sec.

800

1/500

1/250

1/125

1/60

1/30

10 to 20 sec.

1600

1/1000

1/500

1/250

1/125

1/60

5 to 10 sec.

3200

1/2000

1/1000

1/300

1/250

1/125

2 to 5 sec.

 

 

 

 

 

 

 

 



Read More
May 03, 2012 | Post by: Chris No Comments

Let the Viewer Add Their Own Egg

Inside the Dome

As we moved closer to the top of the Cupola, things got more and more interesting inside the dome of the Iowa Capitol Building. I will let you try to figure out exactly what you're looking at in this image.  You can use this image of the dome as reference. This is not HDR, but like my last post, this is handheld.

Let the Viewer Add Their Own Egg

I have been reading the book Perception and Imaging by Dr. Richard Zakia.  I want to read this book every time Rick Sammon recommends it on the Digital Photo Experience Podcast.  Dr. Zakia just recently passed away and this book will live on as part of his legacy.

Dr. Zakia was a college photography professor and the book reads like a college text.  But I have read a lot of photography books and there is information in here that I had never considered.  I am still just beginning the book, but I have already gleaned some fantastic little nuggets.  I will share some of them along the way.

When companies first started to sell cake mixes they were a huge flop. They did not sell. When they changed the recipe so that you had to add an egg to the mix, the mixes became a huge hit. Cooks wanted to feel like they had some part in creating the final product. Dr. Zakia recommends that your viewers want to be a part of the creative process when viewing your images. Don't show them the entire story.  Just like some of the best books and movies, make the viewers think about what they're looking at and create their own reality.

I tried to do that in today's image.  It may just be confusing, but I think you'd agree that you need to spend a few moments thinking about what you're looking at.

Photo Walk #3

Don't forget about Saturday's photo walk.  All of the details are here. I have been closely monitoring the weather and have been in constant contact with Tom (Skilling). If it is going to be raining Saturday night I may cancel the photo walk or move it to Sunday night. If I decide to change anything, I will post it at www.outofchicago.com and my Twitter account.

Justin Kern Workshop

On May 26th, I will be attending Justin Kern's Workshop at the University of Chicago.  If you ask him nicely, you may still be able to get a spot in the workshop. You can get the details here.

To get an idea of what goes through Justin's mind, you need to read a fantastic blog post, How to Get Better, at his blog, The Golden Sieve. The post reads more like an eBook than a blog post. I think that every photographer needs to give this a read.



Read More
Apr 29, 2012 | Post by: Chris 15 Comments

Shooting HDR Handheld

Iowa Capitol Dome Looking Down

This was our first stop on the way up to the top of the dome at the Iowa Capitol.  Can you figure out where I'm standing to take the image above in the image below? Read more about the tour, here. In this shot, you are seeing the bottom half of the dome and the upper level of the capitol building. You can see down to the main floor. In the center of the main floor is the glass circle with an X across it, in which you can see through to the basement.

My good friend, Jason Mrachina, invited me to join him on a tour of the Iowa State Capitol. The capitol gives free public tours, but this was a private tour with State Senator Daryl Beall.  Senator Beall turned out to be a photographer himself and he lead us on one of the most interesting tours I've ever been a part of. This image is from the main floor of the capitol building looking up into the main dome. The tour lead us to the top of the dome. We went above the marble columns at the top, above the flag and eagle suspended by guitar strings, above the clouds and eventually outside to the top of the cupola. Thank you Senator Beall for an unforgettable experience. Check out Jason's amazing images from the capitol, here. Iowa Capitol BuildingIf you get a chance to visit Des Moines, you want to visit the Iowa Capitol Building. The architecture inside and outside the building rivals anything that you can find in the midwest. There are many locations within the building where you could spend hours of your time trying to find the perfect composition. The dome is an obvious focal point, but there are several sets of winding staircases, great halls with ornate columns, and small details that will keep you searching all day.  I highly recommend a stop at the Iowa capitol for any photographer.

Shooting HDR Handheld

For today's image (top), I couldn't position my tripod to put my camera in position to get this composition.  The only way I could do it was to reach my arms out over the railing and compose the image using live view on the camera LCD.  I usually shoot my HDR brackets in manual exposure mode and take as many images as I need. Read the article that explains my process, here. For this type of shot, I put my camera in three shot bracket mode and let it rip. If you put the 5D Mark II in 2-second delay mode it will fire all three shots with one press of the shutter button. If I had a 5D Mark III it would do the same thing but would take up to 7 exposures automatically. I can't wait.

For shooting your HDR images handheld, you need to make sure that you have a fast enough shutter speed for your brightest (longest) exposure. Shooting at 17mm, I needed to get an exposure faster than 1/17th of a second.  It is much easier to handhold when you are using a wide angle lens.  Using the reciprocal rule, you would need 1/200th of a second for a 200mm lens. In this case, I needed to bump to ISO 3200 to get an exposure of 1/20th on the brightest exposure. I put the camera in 2-second delay, held out my hands, composed the shot, took a deep breath, hit the shutter button, and tried to stay as still as possible. I did this five or six times so that when I got the images back to my computer I could pick the sharpest images.

When you import the images into Photomatix, you will need to make sure that the images are aligned. I have heard that Photoshop does a better job than Photomatix lining the images up, but I have never had a problem letting Photomatix align the images.

Big Announcement! Topaz Labs and the Out of Chicago Photo Walk #3

I am proud to announce that Topaz Labs will be sponsoring the photo competition for our third photo walk this weekend.  The grand prize winner will win a bundle of Topaz software.  Two runners up will win their choice of one Topaz product. I hope to see you this Saturday! Read about the walk, here.



Read More
Apr 26, 2012 | Post by: Chris 5 Comments

Working with the Canon 17mm Tilt Shift Lens

Outside The Tiny Chapel

This is the view from the outside of the tiny chapel in the old Theological Seminary Building at the University of Chicago.  If you plan to shoot at the University of Chicago, read my tour of the Theoligical Seminary. For this image, I used the Canon 17mm tilt shift lens to try to keep the verticals straight by using the shift function rather than tilting the lens up. To me, it looks as though the two pillars in the center are splayed out as they move to the top of the image.  But according to the grid lines in Lightroom they perfectly vertical. I think this must be some kind of illusion because our eyes expect the pillars to converge when we look up at them.

Canon 17mm TS-E f/4 L Review

I've posted a short review of the tilt shift lens that I borrowed a week or so ago.  You can read it, here.  

Out of Chicago Photo Walk #3

Don't forget that our next photo walk is May 5th at Chicago's Museum Campus.



Read More
Page 1 of 1812345...10...Last »
  • About Out of Chicago

    Out of Chicago is a daily blog focused on helping you take better photos of the world's greatest city. Every day will feature a Daily Photo of the city. Look for tips, reviews, interviews, and anything else you may need to get the most out of your photography.
  • Enter your email address to subscribe to OutofChicago and receive notifications of new posts by email.